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Catherine E. Karkov
CONTACT INFORMATION: Professor of Art History
SCHOLARLY INTERESTS:
Manuscript studies, medieval Anglo-Saxon
art, especially manuscripts and sculpture; gender; postcoloniality; issues
of subjectivity in early medieval art; the uses of the past
Selected publications, recent and forthcoming: The Ruler Portraits of Anglo-Saxon England. Woodbridge: Boydell & Brewer, 2004. Text and Picture in Anglo-Saxon England: Narrative Strategies in the Junius 11 Manuscript. Cambridge: Cambridge University Press, 2001. Conversion and Colonization in Anglo-Saxon England. Edited with Nicholas Howe. Tempe: Arizona Center for Medieval and Renaissance Studies, 2006. The Place of the Cross in Anglo-Saxon England. Edited with Sarah Larratt Keefer and Karen L. Jolly. Woodbridge: Boydell & Brewer, 2006. Anglo-Saxon Styles. Edited with George H. Brown. Albany: State University of New York Press, 2003. Theorizing Anglo-Saxon Stone Sculpture. Edited with Fred Orton. Morgantown: West Virginia University Press, 2003. Books in Progress: Art in Early Medieval England (Boydell & Brewer) Inscribing the Self: Artists, Authors, and Identity in Early Medieval England. The Visionary Cross, with Daniel O’Donnell, Roberto Rosselli Del Turco and Ian Wood
WUN-IDENTIFIED RESEARCH COLLABORATION THEMES: Multilingualism in the Middle Ages: History of the Medieval Book: Medieval Chronicle Studies:
Ph.D.s UNDER SUPERVISION: Lara Eggleton, ‘Orientalizing the Alhambra’ Hayley Humphrey, ‘Irish High crosses,
kings and monastic warriors’
STAFF EXCHANGES/ONLINE RESOURCE
CREATION/VIDEOCONFERENCING:
MEDIEVAL COURSES TAUGHT: The Work of the Body in Anglo-Saxon
Art
MEDIEVAL COURSES YOU WOULD LIKE
TO SEE DEVELOPED:
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