Thomas E. A. Dale

CONTACT INFORMATION:
Professor
Department of Art History
University of Wisconsin-Madison
222 Elvehjem Museum of Art
800 University Avenue
Madison, WI 53706 USA

Office Telephone: (608) 263-5783
Office Fax: (608) 265-6425
Active email: tedale@facstaff.wisc.edu
Relevant Webpage: http://www.wisc.edu/arth/ah310/


SCHOLARLY INTERESTS:
Current area(s) of research:
The Representation of the Body in Romanesque Art
San Marco in Venice after the Fourth Crusade


Selected publications, recent and forthcoming:
Relics, Prayer and Politics in Medieval Venetia Romanesque Painting in the Crypt of Aquileia Cathedral (Princeton University Press, 1997)

“Monsters, Corporeal Deformities and Phantasms in the Cloister of Saint-Michel de Cuxa,” Art Bulletin 83, no. 3 (2001):402-436

“Rudolf von Schwaben, the Individual and the Resurrected Body in Romanesque Portraiture,” Speculum 77, no. 3 (2002), 707-743

Forthcoming:
editor and contributor, Shaping Sacred Space and Institutional Identity in Romanesque Mural Painting Essays in Honour of Otto Demus (London: Pindar Press, 2004)

"The Monstrous and the Bestial," in Conrad Rudolph, ed., Romanesque and Gothic Art, Companions to Art History (Oxford: Blackwell, 2004)


WUN-IDENTIFIED RESEARCH COLLABORATION THEMES:
Multilingualism in the Middle Ages:
This theme is connected to a certain extent with my study of San Marco in Venice and the ways in which Byzantine visual culture is --including images, spolia and relics--interpreted and adapted for political and religious motivations in the basilica of San Marco after the Fourth Crusade.

History of the Medieval Book:
This theme relates more to my teaching than to my current research interests.

Medieval Chronicle Studies:

Do you have any other ideas for themes that might be of broad academic interest to other medievalists?:
The Cult of the Saints
The Body and Representation


Ph.D.s UNDER SUPERVISION:


STAFF EXCHANGES/ONLINE RESOURCE CREATION/VIDEOCONFERENCING:
Yes, I am interested in staff exchanges with WUN partner institutions, and in being involved in the development of online research resources, especially in the area of images.


MEDIEVAL COURSES TAUGHT:
Early Christian and Byzantine Art
Romanesque and Gothic Art and Architecture
Death and the Afterlife in Medieval Art
Icon: The Holy Image in Eastern Orthodox Culture (seminar)
Representing the Body in Medieval Art (seminar)

I am planning to develop the following courses:
Medieval Rome
Pilgrimage and the Cult of the Saints
Civic Art and Architecture in Italy from the beginnings of the Commune to the Age of Dante


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