Prof. Freida High Tesfagiorgis
High is a painter, art historian, and visual culturalist. Her expertise is
modern/contemporary art, visual culture, and art theory, with emphasis
on contemporary Africa & the African Diaspora (Northern Hemisphere),
and modern European Art & Primitivism. Feminism and critical race
theory permeate her work. She has exhibited, curated exhibitions, and
published, spanning the boundaries of artist and scholar.
Education
A.A
Graceland College, Lamoni, IA
B.S. Northern Illinois University, DeKalb, IL
M.A., M.F.A. - University of Wisconsin-Madison
Ph.D. work at University of Chicago
Publications
“In Search of
a Discourse and Critique/s that Center the Art of Black Women Artists“
is a seminal work for which she is most known, having been published four
times: Theorizing Black Feminism/s (1993), Stanlie James &
Abena Busia, (ed); Black Feminist Cultural Criticism: Keyworks in Cultural
Studies (2001), Jacqueline Bobo (ed.); Gendered Vision, 1998
(Salah Hassan, ed.); and Feminist Art Theory (2001), Hilary Robinson
(ed.). She coined the term, “Afrofemcentrism, “ in 1984, subsequently
expounding it in "Afrofemcentrism: The Work of Elizabeth Catlett and
Faith Ringgold," Sage: A Scholarly Journal For Black Women,
Volume IV, No. 1, Spring 1987; revised and published in The Expanding
Discourse: Feminism and Art History (1992), Norma Broude and Mary D.
Garrard (ed.) .
She subsequently replaced Afrofemcentrism with black feminism to expand
the ideological and geographical limitations of the former. A subsequent
publication reveals that difference: "Interweaving Black Feminism and
Art History: Framing Nigeria" in Contemporary Textures: MultiDimensionality
in Nigerian Art (1999), Nkiru Nzegwu (ed.). Another key work is "Chiasmas:
Art in Politics/Politics in Art (Chicano/a and African-American Image, Text,
and Activism of the Nineteen Sixties and Seventies,"Voices of Color
in the Americas, Phoebe Ferris-Duphrene (ed.), Humanities Press (1997).
Among shorter works are: "El Salahi" (Sudan); "Valente Malangatana"
(Mozambique); "Erharbor Emokpai" (Nigeria); "Iba N'Diaye"
(Senegal/ Paris); "Vincent Kofi" (Ghana), St. James Guide
to Black Artists (1997), Tom Riggs (ed).
Exhibitions
Gibbes Museum of
Art (Charleston, SC); Edwin A. Ulrich Museum of Art (Wichita, KS); Portland
Museum of Art (MN); Museum of Fine Arts (Houston, TX); Elvehjem Museum
of Art (Madison, WI); Polk Museum of Art (Lakeland, Fl); Minnesota Museum
of American Art (St Paul, MN); Kennedy Museum of American Art (Athens,
OH); Museum of Art, (Charleston, SC) (again after opening at Spelman College);
National Arts Club (New York, NY); Studio Museum in Harlem (NY); Madison
Art Center (Madison, WI); Leigh Yawkey Museum of Art (Wausau, WI); Milwaukee
Art Museum (Milwaukee, WI); Grand Rapids Art Museum (Grand Rapids, MI);
National Afro-American Museum, (Columbus,OH); National Center of Afro-American
Art (Roxbury, MA); Schenectady Museum (NY); Fine Arts Museum of the South
(Mobile, AL); Burpee Art Museum (Rockford, IL) University and college
museums and galleries include some of the following: Herbert Johnson Museum,
Cornell University, Ithaca (NY); Camille Cosby Humanities Center, Fine
Arts Gallery (Atlanta, GA); Art Gallery, Bradley University (Peoria, IL);
Montgomery Art Gallery, Scripps College (Pomona, CA); Art Gallery, Alabama
A&M University (Normal, AL); Cardinal Stritch College (Milwaukee,
WI); Rosenthal Gallery, Fayetteville State University (NC); Art Gallery,
Alverno College (Milwaukee, WI); University of Louisville (Louisville,
KY); Art Gallery, University of Wisconsin (Milwaukee, WI); Art Gallery,
Malcolm X College (Chicago, IL); Art Gallery, Kentucky State University
(Frankfort, KY); Afro-American Arts Institute, Indiana University (Bloomington,
IN); Afro-American Cultural Center, Purdue University (Lafayette, IN);
Art Center, Depauw University (Greencastle, IN); Governors State University
(Park Forest, IL); Art Gallery, Rockford College (Rockford, IL); Trisollini
Gallery, Ohio University (Athens, OH).
Other select local and global locations include: San Francisco Bay Area
Civic Center (CA); South Side Community Art Center (Chicago, IL); Peltz
Gallery (Milwaukee, WI); Art Gallery, Atlanta Life & Mutual Insurance
Co.(Atlanta, GA); Wright Art Center (Beloit, WI); Museo Arte Contemporanea
di Gibellina (Palermo, Italy); America House (Berlin, Germany); National
Gallery (Dakar, Senegal); 6e Concours International de la Palme D'or des
Beaux Arts, Palmares, Monte-Carlo, etc.
Publications about High's art:
Bearing Witness:
Contemporary Works by African American Women Artists (Jontyle Robinson,
1996); St. James Guide to Black Artists (1997), Tom Riggs (ed);
Gumbo Ya Ya: The Art of African American Women Artists (Leslie
Hammonds, 1995); The Art of Black American Women: Works of Twenty-Four
Artists of the Twentieth Century (Robert Henkes, 1993), International
Review of African-American Art (December 1990); Colored Pictures:
Race and Visual Representation by Michael Harris (forthcoming 2003).